
Chapbooks
toofarwandered, Tilted House, forthcoming
According to the Plat Thereof, Ethel, October 2025
Kansas City Gothic, Broken Sleep, October 2025
Poetry
“Melting Down the Spoon (In Light of Suspicious Circumstances),” “Whatever Remains of the Idea Is Likely Unreachable,” and “And Approached with Six Dread Flowers in My Hair,” hearsay journal, forthcoming
“Diesel Therapy” and “School,” coastlines review, forthcoming
“Come Over!”, “Field 20,” “The Fragments Were So Many That I Could Hear Them,” “Psalm 8,000,” “Sealed Memorandum Concerning Our Decision to Harbor Criminals in the Sunshine,” and “Flowchart Found Carved Under the Seat of a Golf Cart in a Haunted House in a Remote Province of the Imperium, 1995,” A Dozen Nothing, forthcoming
“Beyond Estrangement Is What We Desire,” “Intersection,” and “Empty Plat,” Afternoon Visitor, forthcoming
“[up display, we preferred the overture we]” and “[and what a limited palette we found],” Fence, forthcoming
“The Cellmate,” the minnesota review, forthcoming
“Time and Materials,” Pleiades, forthcoming
“The Window,” Prairie Schooner, forthcoming
“Highway,” Amenia Free Review, February 2026
“Field 44,” “The Water Ring,” “[ushered me into silence as though it were language],” and “Field 82,” La Lancha, January 2026
“[00],” “[01],” “[02],” “[06]” and “[07],” Works & Days, December 2025
excerpts from Kinglet or So, Cleveland Review of Books, December 2025
“[see now why we flocked to canopy and slept there, preferring],” “[dataflow to national geographic, a frozen sirocco leaching],” and “[through the gearshift, ignition, my bedroom is going to change],” The Pill, November 2025
“Arrowshaft trembled in squirrelwake…”, “That was his name! Juice of Orange…”, “O air compressor…” (excerpts from toofarwandered), VOLT, October 2025
“My Tolerance to Therapy Is Approaching Its Professionally Predicted Ceiling” (broadside), Tilted House, October 2025
“A Junco’s Tangled Up in the Concertina” (a heroic crown of sonnets), RESOURCES (Blue Bag Press), Folio: “Triptych///Kinship Poietics” (with Elise Thi Tran and Thom Eichelberger-Young), September 2025
“[bodies I noticed the folder contained within it another]” and “[folder labeled older bodies and within it a million],” bethh, September 2025
“Field 41,” “Field 48” and “Field 26,” Chicago Review, July 2025
“Wrong Trees,” NOIR SAUNA, July 2025
“[we resolved to save enough money to be warm],” “[for a single moment, we all piled into the car],” “[accident with our hands all ringed and knived],” “[and april and ian and holly and alex],” “[and emily quoted in bas relief],” Denver Quarterly, July 2025
“Concert Hall,” “Field 104” and “The Escutcheon,” MEMEZINE, July 2025
“[into our flooded attics, how the trapeze]” and “[artist broke ground on a project we referred to as],” Seneca Review, May 2025
excerpts from Public Haunts, ISSUE (“State(d) Violence”) (Blue Bag Press), April 2025
“Sonnet With Congealed Labor In It,” Protean, April 2025
“Crux” and “Interpellation,” Iron Horse Literary Review (“Unlawful Acts”), March 2025
“McKinley Park Palinode in Which Winter Is No Longer My Favorite Season,” Ecobloomspaces (anthology), March 2025
“Paresthesia on Park Avenue,” RHINO, March 2025
“Badminton Lessons,” a performance in collaboration with composer Viskamol Chaiwanichsiri, CompLaboration, NEXUS Integrated Arts Series, UMKC Conservatory, March 2025
“[cellar and the absent doctor],” Words Beyond Bars, January 2025
“[04],” “[22],” “[25]” and “[37],” Coma, December 2024
six unbodied poems, Always Crashing, December 2024
“[16],” Southeast Review, November 2024
“Still Life with Manifesto and Severance Package,” The Greensboro Review, November 2024
“Field 29,” “Field 39” and “Field 51,” Sweet Mammalian, November 2024
“Field 61,” “Field 63” and “Field 66,” Jet Fuel Review, November 2024
“Park,” like a field, October 2024
“Willamette Shipyard Blues,” Narrative, October 2024
“Instructions to be Issued to AICs One Month Prior to Release,” Sundog Lit, September 2024
“Field 38″ and “Field 53,” New Orleans Review, August 2024
“And perhaps there is a bedroom in my bed,” Poetry Online, August 2024
“Unbodied Poem In Which the Speaker Wanders…”, “Unbodied Poem In Which the Speaker Composes an Untitled Poem…”, “[21]” and “[29],” Tyger Quarterly, August 2024
“[pruning the oblong image systems],” “[we do not know how the previously dead]” and “[conversation arose in every quadrant],” The Spectacle, August 2024
“Atavistic Reflections on Home Improvement” and “Oversight,” Four Way Review, August 2024
“Threshold” and excerpts from Kansas City Gothic, Ocean State Review, August 2024
“Song from an Alcove,” APARTMENT, August 2024
“[36],” West Trade Review, July 2024
“Hôtel Liminal,” “Across the Country Strange” and “Dilation,” Iterant, July 2024
“[alone once, in a green room with a cellophane center],” Birdcoat Quarterly, July 2024
“Bifurcated Sonnet on Museum Etiquette,” Hunger Mountain, July 2024
excerpts from Kansas City Gothic, New Critique, June 2024
“Multivalent Elegy, Three Days After Summer Solstice“, Narrative, June 2024
“Pantoum After Five Years in Prison,” The Cincinnati Review, June 2024
“Self-Portrait with a Seashell and Dr. Caligari,” Narrative, May 2024
“Vows” and “Anti-Epithalamium,” Couplet Poetry, May 2024
“Figure Drawing of a Friend Reading Rimbaud,” The Penn Review, May 2024
“The Province of Clocks,” Sixth Finch, April 2024
“After Hours,” Colorado Review, March 2024
“Aubade with Headwaters and Dark Kitchen,” “Hex Season,” and “Tinnitus,” Poetry Is Currency, March 2024
“Invitation to a Ceremony,” “Living Alone and the Art of Preventative Maintenance” and “Birthday Party,” Action, Spectacle, February 2024
“Date Night,” phoebe, January 2024
“[AND YOU THOUGHT THERE WAS A WAY OUT],” MEMEZINE, January 2024
“Book of Years,” Southern Humanities Review, December 2023
“Clairvoyance,” SAND, November 2023
“Sturnella Neglecta,” Pithead Chapel, November 2023
“Song at the Edge of Skid Row,” Coal City Review, October 2023
“Thunder in the Index,” Meridian, August 2023
“43 Comments and Assorted Hyperlinks: A Digital Gravestone Rubbing,” ctrl + v, August 2023
“Holiday Music” and “Dispatch from an Inbox,” HAD, July 2023
“Ballad from a Subsidized Bedroom,” Shō, June 2023
“Poisson d’avril,” Cobra Milk, May 2023
“Claustrophobe’s Sonnet on Metempsychosis,” Southeast Review, March 2023
“Photo Booth Strip of My Father and Uncle,” Cutbow Quarterly, March 2023
“Ignus Fatuus,” HAD, February 2023
“To the Addicts at the 19th and Burnside McDonald’s,” Poetry Northwest, February 2023
“Fluff,” HAD, January 2023
“Among the Cattails” and “Cellar Song,” Snarl, November 2022
“Vertigo,” INKSOUNDS, October 2022
“Now It Seems,” Placed: An Encyclopedia of Central Oregon, Vol. 1, October 2020
Essays / Nonfiction
“Physical Psychosis,” 128 Lit, forthcoming
“Porcelain,” The Rumpus, September 2025
“this unlyrical we: notes against a poetics of cooperation,” RESOURCES (Blue Bag Press), September 2024
“Chain of Memory,” The Threepenny Review, September 2024
“Oculus Dexter,” Kenyon Review, April 2024
“Why isn’t PEN America paying its incarcerated literary prize winners?” (with Natalye Childress), Prism, April 2024
“Disappearance on Fifth Avenue,” Buckman Journal, July 2023
“Vanishing Point,” Bat City Review, March 2023
Criticism / Interviews / Scholarship
“A Simulacrum of Sleep: On William Brewer’s ‘Withdrawal Dream Amongst Spring Acreage,’” Annulet, February 2026
Interview w/ Thom Eichelberger-Young, Full Stop, November 2025
On Cyrus Console’s The Wayfarer, New Letters, October 2025
On Temperance Aghamohammadi’s Battalion Shaped Girl, Full Stop, September 2025
“Tell Me a Black Story: Controlled Narratives in Mary Prince and Lillian-Yvonne Bertram,” Callaloo, August 2025
On Wayne Koestenbaum’s Stubble Archipelago, Antiphony, July 2024
Interview w/ Ann Pedone, Full Stop, October 2023
Fiction
excerpts from Dogsmind, Capgras, December 2025
excerpt from Dogsmind, Poetry Nightly (originally appeared in peel lit), December 2025
excerpts from Dogsmind, mercury firs, October 2025
excerpt from Dogsmind, peel lit, September 2025
“Orangewhite,” Bat City Review, March 2025
“Bad Speed,” Exacting Clam, March 2025